WCLK-FM changes format, replaces ‘S.O.U.L.’ with smooth jazz in ‘survival’ move

OTL-Jamal Ahmad

WCLK-FM (91.9) adjusted the formatting of just about all of its shows starting Monday, Aug. 26, in an effort to save the station, according to assistant general manager Tammy Nobles. The most painful of these adjustments is to Jamal Ahmad’s “S.O.U.L. of Jazz” show. It seems the soul has been sucked out of the 2-6 p.m. weekday time slot and replaced with smooth jazz.

Ahmad has consistently offered quality soul music to WCLK listeners and beyond. He’s known for playing rare grooves — you probably know the hip-hop track featuring a sample from one of these gems — and breaking new music from local and international artists.

His show provided a welcome reprieve from the nationally syndicated talk fests occasionally interrupted by your uncle’s favorite song from back in the day, or your little niece’s latest R&B infatuation.

Ahmad was voted Best Drive Time DJ by Creative Loafing for a couple of years, and his show on WCLK was one of the legs upon which the table of Atlanta’s music scene has been built — the others being our venues, retail outlets such as Moods Music, and the people (both artists and patrons).

Nobles acknowledged Ahmad’s strong following, but insisted that the Arbitron ratings for his show — and the overall decrease in station listenership — justified a change. She said that focus groups were conducted, including a 900-song survey with many tunes and artists listeners said they weren’t familiar with.

In short, the station needs more money. Over the past year, the station went from having two fund drives to three, but still fell short of its fundraising goals. This is amid less support from the Clark Atlanta University, the station’s primary source of funding and where it is housed. In 2012, the station pulled in $250,000 less from CAU than it did in 2011, according to its 2012 financial statement.

Ministers of Sound lifts up Atlanta’s best DJs through photos and music

“Amen! Ashe! Word!” The one-night-only Ministers of Sound installation on Sunday, Feb. 24, transformed Space 2 into an artistic sanctuary worthy of the DJs honored in the installation — as well as the curator’s late father.

About five years after initially conceiving the project, Kemi Bennings of Evolve! Artists Live, along with a buzzing crowd of about 200, saw — and felt — it come to life.

The warehouse-style room had undergone a cultural sanctification that started in the wee hours, complete with stained glass framed and hung from the ceiling, centuries-old pews, and the iconic red carpet runner that led from the door to the “pulpit.”

It was there that a number of the DJs honored in the photos took to the turntables.

The DJ procession included DJ Jamal Ahmad (WCLK-FM 91.9), DJ Kai Alce, DJ Salah Ananse, DJ Applejac, DJ Ausar, DJ Karl Injex, DJ Cha-Cha Jones, DJ Kemit, DJ Osmose, DJ Ramon Rawsoul (House In The Park), DJ Sky, DJ Tabone (WRFG-FM 89.3) and DJ Mike Zarin.

Ministers of Sound

Each played two songs, which Bennings had directed should “inspire and empower the crowd.”

I found myself most grateful for Cha-Cha’s hip-hop leanings, Applejac’s golden and timeless beats that you know but yet don’t, and Ahmad’s Stevie Wonder selections.

Although the music added to the rapturous atmosphere, the photography served as the basis for the installation.

The photos were taken by Annette Brown. They captured each DJ in an environment — and sometimes in spiritual garb — that reflected his or her own spiritual aesthetic. The photo titles, printed on a label pasted onto a 45-inch record, also reflected those beliefs.

In some cases, captions that Bennings wrote about various spiritual tenants were matched up with a DJ.