Slo Mo Magazine gives a voice to Atlanta’s soul scene

Front cover of Slo Mo, a magazine dedicated to soul music and culture

Launching a print publication is a risk these days. But when you’re as passionate about soul music and culture as co-publishers Carlton Hargro and Larmarrous Shirley, it’s a risk worth taking. And it’s calculated.

Slo Mo is a monthly print publication highlighting “soul. music. culture.” as the cover tagline states.

With the professional experience to back up this new project, the odds are good. Hargro is the former editor of Creative Loafing-Charlotte, and Shirley is an award-winning graphic designer for publications such as Atlanta Magazine.

Hargro serves as the publication’s editor (and author of all the first edition’s articles), and Shirley is its designer. For future editions, they’ll be working with various freelancers to cover Atlanta’s soul music scene, from singers and musicians to DJs and promoters, visual artists, scenesters and more.

SloMo publishers

Add to the mix the sustainability of the magazine’s unconventional format. It’s a poster-sized fold-up that the two can bankroll on their own.

That said, ad spots are available — and priced to suit the small-business budget.

Shirley came up with the Slo Mo idea years ago, and in recent years picked up a similarly sized zine and knew that would be the way to go. It complements the overall concept of the publication, which is to fight against the dumbing down of music and culture by providing worthwhile content built within a dynamic design, Shirley says. It’s like moving things forward by forcing people to slow down and pay attention to what’s real.

Moods Music is the publication’s primary point of distribution for now, says Hargro. With Moods being the go-to retailer for soul music and hard-to-find imports, it makes sense. Hargro said they’re deliberate about the pick-up points because the magazine is meant to be niche. In later months, distribution will max out at 25 spots where lovers of soul music and culture are likely to gather, he says.

Plus, it’s more cost-effective that way.

A crowd of more than 50 people showed their support at Moods on Sunday, June 23, as the duo officially launched and passed out copies of the publication.

A few in attendance — including producer Daz-I-Kue and vocalist Kameron Corvet — are mentioned in the inaugural issue. Others, including Ron Smith of Harmony in Life, Aishah Rashied Hyman of Spread Love (and Mrs. DJ Kemit), and Aalyah Duncan of A-List Events Marketing are sure to have their events and artists mentioned in future editions.

The duo is open to story ideas, and both Hargro and Shirley are big on making sure they stay accessible. Part of the reason the publication was founded, Hargro said, is so that soul music promoters, artists and lovers of the culture won’t have to hurdle the barriers often found when pitching to traditional media outlets. So hit them up at slomomedia@gmail.com.

Not only is this a risk worth taking, should Slo Mo succeed, all of Atlanta’s soul scene will win.

Full disclosure: Yours truly is on tap to write an August 2013 feature on House in the Park. If you have ideas for an angle, leave me a comment!

On The Lookout with Peven Everett: 5 quick questions

Peven Everett, a longtime house music producer/vocalist/performer with Chicago roots, is coming to the Sound Table tomorrow night, courtesy of Kai Alce and NDATL/Distinctive. Alce will be spinning, along with ST’s own Karl Injex.

OTL caught up with Everett for 5 quick questions.

Photo by Carlos Bell

1) How are you? (I mean this sincerely!) What’s going on?

Everything’s pretty OK right now. What’s the use in complaining.

2) Give us the rundown of how a (typical, if I may) Peven Everett production comes together.

It’s hard to say so I don’t because often times my explanation is thought to be self-preserving. I think it’s selflessly preserving as well as being involuntarily self-preserving. Everyone does it different and must never tell their method if they wish to have any future value.

3) Who or what are you on the lookout for these days? (It could be an artist, musical style, an inspiration, or an issue in the news.)

I am on the look out for everything.

4) What new projects are you working on? What should we be on the lookout for from you?

Be looking to like what you hear. No matter what.

5) What is the future of house music/soul music, in your opinion?

It could go many ways but only one way is the right way. There are only a few ” artists” with infinite marketing budgets and lips tight enough for a huge payoff as historically seen in the televised part of the music industry. Ninety percent of them — no, 95 percent of them — have been to my live shows  LOL. Music shields my spirit from the little things and keeps the beauty of my dreams from harm. Business and life are like a piano. A hidden hand is useless.